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Always Right, Never Enjoyable

Audiences excuse much for the sake of entertainment. Good too for anyone who expects perfect reason is infuriated in life and disappointed with art. With the humility in traipsing on that line, I can’t stand a character who’s always right. Yes there must be conceits in the greatest stories, but I’ll concede where my weakness … Continue reading Always Right, Never Enjoyable

The Journal: A Narrative Squared Problem

The journal is the most distilled form of narration in fiction. In essence a character is jotting down their thoughts as they see fit. They are their only audience and are logging those thoughts for their own benefit. There is no outside influence to alter what they put onto the page. This can lead both … Continue reading The Journal: A Narrative Squared Problem

The Hook of an Idea

If you’ve ever interfaced with the world ideas have bubbled up in your head. A sensory stimulus hits and your desires follow. If you’ve ever engaged in storytelling then the world has breathed those head-scratching, earworm, thirst provokers into your internal monolog. But then there’s the question, “Why am I still fixated on this?” With … Continue reading The Hook of an Idea

Pausing a Character Arc

The ideal story will have the protagonist’s character arc run parallel to the advancing plot. As each scene flows into the next, the character will progressively advance en route to an end state materially different from whence they started. For most stories, this is the gold standard. But the methodology can differ for tales outside … Continue reading Pausing a Character Arc

Death of an Innocent Character

If you’ve ever written consistently you’re going to find yourself killing someone about one week in. No matter what genre, eventually someone dies. Like death itself, it’s natural and inevitable. But that doesn’t make it easy, unless you don’t care. For this character I’ve got on the chopping block now, I’m getting chewed up. That … Continue reading Death of an Innocent Character