It’s inescapable that we want to charge through the banal parts of a story and get to the good stuff. It’s your job to break out the red pen and condense the bits which drag. But what do you lose when you make it short and sweet? Right now I’m reading some grimdark shlock to … Continue reading Literary Shorthands
Tag: Editing
Discontinuity and Narrative Errors
Your story should be an understandable sequence of events which taken consecutively will lead into one another with factual consistency. This lets your audience digest the information in a familiar manner which makes logical sense. Without this sinew the audience can’t discern what just happened or if what just happened actually happened or matters. Then … Continue reading Discontinuity and Narrative Errors
What to Keep When You Cut
It’s extremely difficult to ascertain this information from reading a book because it’ll be blended into the finished story. It’s also a crushing blow to the junior writer when they fall into this invisible pitfall only realized long after the cuts are made. Then they have to scour distant memories for the little bits they … Continue reading What to Keep When You Cut
What to Cut When Editing Your Story
“Everything that doesn’t advance the plot or reveal characterization.” Now to pat myself on the back and throw my laptop in front of a train. I never liked this shallow advice — as factual and aggravating as it is. Its distillation leaves out nuances in the determination. What’s the proportional focus of your story’s plot … Continue reading What to Cut When Editing Your Story
The Daunting Playground—How to Start a Story
When the mind goblins attack from a blank page. Take heed, read, and retake your self-esteem.
Colin Klawans 